Drugs impacts on Music Essay Nov 24, 0 Drugs impacts on Music Essay In addition, black musicians were not allowed in many buildings, so they were forced to play in brothels and speakeasies. Due to this, Jazz was considered by some to be immoral because of its association with organized crime. During the sass, Jazz was propelled with both a male and female vocalist in a style that became known as swing. Swing was built around very rhythmic riffs with strong soloists providing improvisation with a backdrop.
Share via Email When Jack Kerouac first coined the term 'the Beats' for his loose-knit group of world-weary bohemians, he meant it in the sense that they were outsiders - a dangerous, free-thinking underclass.
But the Beats' empathy for jazz and, in particular, the free-form bebop of Charlie Parker and Thelonious Monk, brought with it a glamorised fancy for heroin. As with so many working musicians, the pioneers of bebop eased their pressures with the needle. And just as the misadventures of Pete Doherty would be news today, Charlie Parker made the front pages in after a Sunset Strip binge led to his being committed for electro-shock treatment.
The kids loved him for it. Assuming a direct correlation between their jazz heroes' habits and their inspired musical improvisations, the Beats began experimenting, too. In an era where teenagers were carving their own niche and so to be 'hip' was everything, a fledgling youth movement was, for the first time, fuelled by narcotics.
As Miles Davis noted in his autobiography: But the laid-back, live-and-let-live philosophy the term espouses sowed the seeds of Flower Power when the Beats went West. But before Beat turned to free love, there was an equal and opposite reaction to the Beatniks' pretensions across the Atlantic in London's Soho.
Annexing their moniker from the modernists first described in Colin MacInnes' novel Absolute Beginners, London's original mods started to congregate among the coffee bars and clubs of Wardour Street in Eschewing the threadbare, wayfaring look of the beatniks, the mods favoured neat, tailored clothing and a correspondingly upbeat philosophy for life.
They bucked the trend for binge-drinking and generally getting 'out of it', preferring a music, lifestyle and drug choice based on mental and sartorial acuity. Where the beatniks preferred barbiturates or downers, the mods were all about uppers.
Up untilamphetamines with street names like Bennies and Dexies were both legal and commonplace, often prescribed for fatigue, weight loss, and respiratory and heart complaints. Universally known as Purple Hearts, Dinaml was the most popular high street pep pill of its time.
Its side-effects, as described in moralistic detail in the accompanying use and dosage leaflet of the day, might just as well have been broadcast as a come-hither to the mod community: Can cause incidence of euphoria, enhanced wakefulness, increased physical activity, decreased appetite, increased respiration and feelings of power, strength, self-assertion and enhanced motivation.
All over London, their sons and daughters raided their medicine cabinets for night fuel.
Above all, mods were night crawlers. They flocked to coffee bars instead of pubs, not just because they sneered at drunks but because most of these newfangled cappuccino bars boasted 2am licences pubs shut at They also had jukeboxes long before the boozers, allowing the young ones to wash down their Bennies with a frothy coffee and dance to the Who, Small Faces, the Kinks or the Pretty Things, whose 'Midnight to Six' is perhaps the quintessential mod track.
The mods' soul brothers were the rude boys from Ladbroke Grove, Brixton and Harlesden. Nattily dressed in tonic suits and pork pie hats, the rude boys were the sons of the sticksmen - the Windrush generation, brought up on the ska and bluebeat of their parents' birthplace.
But inback in Jamaica, the scene was changing. Artistes like Toots Hibbert of the Maytals were slowing the backbeat right down.
Reggae was lilting and gently mesmeric, as though crafted for the weed that inspired its form and theology. Reggae quickly became the soundtrack to an increasingly politicised young Jamaica. With the arrival of bands such as the Pioneers and the Wailers featuring Peter Tosh and Bob Marleythe nascent reggae scene began to embrace sociopolitical and religious themes and, particularly, the growing influence of Rastafarianism on Jamaican youth.
The smoking of cannabis in its purest form grass, or ganja, as opposed to pot became as intrinsic a part of the Rasta's holy trinity as the Ethiopian flag and the choppy skank of reggae's rhythm guitar.
For Rastas, the smoking of herb or ganja is a spiritual act, often an accompaniment to bible-reading, with reggae the musical backbeat to both the religion and the way of life.
And while the music made occasional reference to the darker practices of freebase and 'icing' most notably Dillinger's anthem 'Cocaine'reggae's constant referencing of kaya cannabis leafcollie men weed dealers and Mary Jane marijuana celebrates it as a spliff culture.
Cannabis was helping shape the development of the North Beach hipsters in San Francisco, too. When Kerouac, Allen Ginsberg, Neal Cassady and the rest of the NY alternative community upped from Greenwich Village to San Francisco inthey found a melange of counter-cultural ideas, individuals and music.
A whole new scene was springing up around the ornate but dilapidated Haight-Ashbury area:Database of FREE Music essays - We have thousands of free essays across a wide range of subject areas. Sample Music essays! Offers; Issue of Illegal Drugs in Music Lyrics. Reflective Essay on Music Education.
Drugs impacts on Music Essay In addition, black musicians were not allowed in many buildings, so they were forced to play in brothels and speakeasies. Society in the sass saw Jazz as young people drinking, doing drugs, and dancing to the “Devil’s music”, an unholy trinity that had to be stopped.
Essay on Sex and Drugs Have Always Been in the Music Words | 14 Pages. It seems as if someone is always complaining about popular music on the market. Drugs and Music in Popular Culture One of America’s leading social issues is Drugs.
Merriam and Webster define drugs as something and often an illicit substance that causes addiction, habituation, or a marked change in consciousness. Relationship of drugs to music essays Relationship of Drugs And music Musicians use their music to express thoughts and feelings they have.
These thoughts and feelings they have are reached by their fans and most fans usually listen to what they have to say. A common thi. Kevin Sampson tracks the history of the link between drugs and music, from Miles Davis to Happy Mondays, and wonders if the link is still strong.